Interweaving

Michal Škoda

 
A Spectre in the House

Tomáš Bárta

 
Gerbera won't break

Anna Ročňová



Michal Škoda / Interweaving

22.05.2024 - 27.07.2024

Fait Gallery, Ve Vaňkovce 2, Brno

Curator: Silvia L. Čúzyová

Opening: 22nd May, 7 pm

 

Michal Škoda (1962) works with a reduced abstract form and executes his subjects - interest in space and architecture, the place for man, archiving of existence, and everyday life – by means of various techniques. Škoda's representational exhibition INTERWEAVING is not a retrospective but a focused continuation of his creative interaction with Places with Specific Qualities. The exhibition, alongside the presentation of new works in the current series of objects and drawings, offers a unique opportunity to look into the "laboratory" of individual artistic thinking.



Tania Nikulina / Friend of the Moon: The Feast

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Fait Gallery PREVIEW

Ve Vaňkovce 2, Brno
Vernissage: 21.2.2018 at 7 pm
Curator: Tereza Rudolf

The sewing machine needle goes up and down at a steady pace. The work finished is observed, with equal persistence, by a sliding camera of the Friend of the Moon video. The close look at fabrics and their structure is typical ofTania Nikulina’s work. The camera which she uses always seems to stare a bit too long, longer than it is pleasant for the viewer, as if it was trying to penetrate the surface of objects and things which it observes, or as if trying to grasp the relations of the people in the video that are far too human, and not only for a machine. The seams of objects inhabiting Tania Nikulina’s stories are created by the same hand as the editing of the final videos. Digital cuts of the individual takes are layered like the multiple materials used by the artist, be it plastic, felt, naturalia, foam or polystyrene.

A motif often present in Nikulina’s work is the longing for a touch. This involves the need to touch a soft fabric with one’s hand, as well as touching unusual structures only with one’s eyes, like performers (in a video or gallery) not only touching one another but also simultaneously present for the objects-costumes which they inhabit and which touch them. It might be slightly exaggerating to say that this trend is stronger with the artist as a sculptor than with others, as touch can be understood as one of the primary elements of communication, both direct and indirect.

Friend of the Moon video has been stripped (with the exception of the final section) of expressive rituality and theatricality characteristic of Nikulina’s previous efforts. In contrast, the video is unusually plain, striving to appear as a routine affair. Nonetheless, the behaviour of the characters (character) in the video differs from what we see as ordinary. Not so much in the sense of strange clothes and the manner of speech, but the Moon or its friend (or both) differ from the rest of the society and find it difficult to participate in its rhythm, time and manners. Based on Sasha Sokolov’s book A School for Fools, the artist asks what our surroundings mean to us: the surroundings which sometimes softly enwrap us and at other times choke us furiously. She asks: who am I, who are you, and who are they? In the end, we all meet at one feast at one time or at different times. Some are protected by their costumes, others are imprisoned in them. 

 

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